"Amanda and I met on a rainy Monday in Ridgewood. She shares her studio with another painter, and her brand new puppy. As we walk into her space, which is in the back, I am struck by the amount of work on the walls. Many in completed or close to completed states. Amanda has a day job in the neighborhood and is able to be in the studio a lot. This is evident by the number of paintings in her space.
Amanda’s studio is bright even in the grey rain, there is a luminosity that emanates from her meticulous still life paintings. She didn’t always make this work, previously she made geometric abstract paintings. Baldwin said she began this new body a little over a year ago, after becoming bored with her abstract work. As we get to talking, something that I have heard time and time again comes up. “Why would you ever paint still life?,” or, “Why would you ever paint the figure?” A grad school classic!
After throwing off the yoke of the “why would you paint this?” Amanda feels more free to explore the ideas that come to her. These paintings feel fresh, while giving a nod to those still life painters who came before. She’s aware of the references in her work and plays them up. As we sit down, we get into the various facets of her paintings.
Amanda, has about 8 paintings up in her studio, some that are complete and others that are in progress. There are three medium sized works that are directly in front of us, all using the same pictorial device, a window. This is a new development in the work, something that gives these paintings illusionistic space, but not really. The window moulding is not defined, it’s reduced to a flattened symbol, but we all recognize what that shape is. The window in the space builds more of a push and pull on her canvas, previously Baldwin preferred tile, or a brick wall making the picture plane more cramped. These newer works employ many of the same elements her earlier paintings did. "