Alexandre Yang was born in France and graduated from the Beaux-Arts de Paris in 2024 with highest honors. He currently lives and works in France.
Yang’s Alexandre Yang was born in 1997 in Tours and graduated from the Beaux-Arts de Paris in 2024 with highest honours. He currently lives and works in Paris. Yang's pictorial practice revolves around the notion of autofiction, exploring the connections between memory, identity, and lineage. Portraiture lies at the heart of his work, serving as a vehicle for intimate and affective narratives often drawn from personal experience and quiet life trajectories. Through painting that is at once sensitive and assertive, Yang composes dreamlike scenes in which reality intertwines with fiction, and the past resurfaces through vibrant colours and carefully worked textures. His technique is both rigorous and expressive, drawing on a rich personal and collective iconography. Traditional Hmong textile motifs — historically carriers of communal narratives, such as those of the war in Laos — are reappropriated and transposed onto canvas to bear witness to a living heritage. These motifs act as narrative elements and visual symbols that resonate with both his family history and the wider histories of diasporas.
Recent group exhibitions include '100% L'EXPO Madrid', Institut français d'Espagne (Madrid, 2026); 'Still Alive', Marguo (Paris, 2025); 'Mémoire Vive', Galerie Dauphine (Paris, 2025); '100% La Villette', Hall de La Villette, curated by Inès Geoffroy (Paris, 2025); 'L'art et la vie et inversement', Musée de l'École des Beaux-Arts, curated by Anaël Pigeat (Paris, 2025); 'Edge Dwellers', Tree Art Gallery (Paris, 2024); and 'Prix Novembre à Vitry' (Vitry-sur-Seine, 2022). Yang was awarded First Place at the 12th Annual Juried Exhibition at Archway Gallery (Houston, 2020). pictorial practice revolves around the notion of autofiction, exploring the connections between memory, identity, and lineage.
Solo Exhibitions
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2026 |
Marguo (Paris), (Nice Dream), Paris, France |
Group Exhibitions
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2026 |
100% L'EXPO Madrid', Institut français d'Espagne, Madrid, Spain |
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2025 |
Marguo (Paris), Still Alive, Paris, France |
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Galerie Dauphine, Mémoire Vive, Paris, France |
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Hall de La Villette, 100% La Villette, Paris, France (curated by Inès Geoffroy) |
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POUSH, Fitting Rooms, Paris, France (curated by Elsa Vettier and Anne-Laure Perressin) |
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Hôtel Mona Bismarck, Persona, Paris, France |
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Musée de l’Ecole des Beaux-Arts, L’art et la vie et inversement, Paris, France (curated by Anaël Pigeat) |
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2024 |
Tree Art Gallery, Edge Dwellers, Paris, France |
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Musée de l’Ecole des Beaux-Arts, Autohistorias, Paris, France (curated by Skye Arundhati Thomas, Melanie Bouteloup, Louise de Lemballerie and Tadeo Kohan) |
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Hôtel de Ville, The taste of tea, Paris, France |
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Tree Art Gallery, étoile, étoile, Paris, France |
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Prix ICART Artistik Rezo, Paris, France |
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Zeto Art, La Partie, Paris, France |
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2022 |
Prix Novembre à Vitry, Vitry-sur-Seine, France |
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Alexandre YangLe Busard, 2026Oil on wood, Artist frame in mahogany, pearwood, walnut, plane and wenge41.5 × 72 × 5.1 cm (16 ⅜ × 28 ⅜ × 2 in) -
Alexandre YangRequiem pour les Indifférents, 2025Oil on canvas and wood (frame); Artist frame in oak and walnut151 × 182 cm (59 ½ × 71 ½ in) framed -
Alexandre YangThe view from my window, 2025Oil on wood, plane tree and walnut standing frame170 × 160 × 37.5 cm (67 × 63 × 14 ¾ in) -
Alexandre YangLa Nuit la plus longue, 2024–2025Oil on canvas140 × 230 cm (55 ¹⁄₈ × 90 ½ in) -
Alexandre YangL'arpenteur, 2023Oil on canvas, acrylic on wood, oak and cherrywood frame32 × 27 cm (12 ½ × 10 ⅝ in)

