• 20 January – 18 February 2023 Vernissage: Friday 20 January 5 – 8 PM 4 rue des Minimes, 75003 Paris...
    A'Driane Nieves, You Wished Me Heaven But Gave Me Hell... Yet I Still Played in the Sunshine, 2022
     
    20 January  18 February 2023
    Vernissage: Friday 20 January 5 – 8 PM
    4 rue des Minimes, 75003 Paris
     

    Galerie Marguo is thrilled to present Notes From The Laughing Barrel, a suite of new works by the American artist A’Driane Nieves. On view from 20 January to 18 February 2023, this exhibition marks the artist’s first exhibition in Europe.

     

    A'Driane Nieves explains her work and her approach in these terms, 'While the existence of laughing barrels and their use is stored somewhere between historical fact and Southern mythology, the imagery of an enslaved African or free Black person during the Reconstruction and Jim Crow eras having to use a barrel to hide their emotions from whites is a striking one to me. It has been burned into my mind’s eye for years; the barrel as a means of survival and protection from white fragility resonates with much of my own experience with emotional suppression as a young child due to abuse.'

     
    Full Press Release: English · French
  • You Wished Me Heaven But Gave Me Hell... Yet I Still Played in the Sunshine, 2022 (detail)
  • "Painting is a very therapeutic, freeing practice for me. It's very liberating. Especially as a black, queer, neurodivergent woman and person. It's literally the only space that I have to express myself to the fullest, express my humanity to the fullest, and there are no restrictions."
     
    — A'Driane Nieves
  • a'driane nieves, No One Told Me Liberation Comes With Such Tender Bruising, 2022

    a'driane nieves

    No One Told Me Liberation Comes With Such Tender Bruising, 2022
    Acrylic, house paint, oil stick and sanguine dry lead on Belgian linen
    203.2 x 177.8 cm (80 x 70 in)
  • a'driane nieves, Silence Was My Sustenance and Survival (1985-2002), 2022

    a'driane nieves

    Silence Was My Sustenance and Survival (1985-2002), 2022
    Acrylic and house paint on Belgian linen
    Overall 243.8 x 304.8 cm (96 x 120 in)
    Each 243.8 x 152.4 cm (96 x 60 in), Diptych
  • "I am more than what has happened to me; I have inherited more from my foremothers and ancestors than epigenetic markers of repression, brutality, and stifled emotion for the sake of survival. My body carries their joy, their creativity, their laughter, and the medicine of their emotional intelligence as much as what they were forced to swallow whole generation after generation."
     
    — A'Driane Nieves
  • "My focus and interpretation of this imagery, however, are not solely an examination of the pain that results from being forced to shrink and hide one’s emotions from external forces for the sake of survival; nor is it meant to put Black trauma on display for consumption and analysis. Instead, I have crafted visual exhortations of victory: public declarations of the emotional autonomy that has been reclaimed, and affirmations that all of who I am cannot actually be contained or defined solely by the psychological impacts of past traumas."
     
    — A'Driane Nieves
  • a'driane nieves, Our Garden of Elevation and Release, 2022

    a'driane nieves

    Our Garden of Elevation and Release, 2022
    Acrylic, house paint and paint marker on Belgian linen
    177.8 x 203.2 cm (70 x 80 in)
  • a'driane nieves, I’ve Given Up The Mud of The Past For Flowers of Healing Instead, 2022

    a'driane nieves

    I’ve Given Up The Mud of The Past For Flowers of Healing Instead, 2022
    Acrylic and house paint on Belgian linen
    152.4 x 243.8 cm (60 x 96 in)
  • "The show is about walking in emotional freedom—for myself, for my ancestral lineage—and courageously expressing the full range of my emotionality as a Black, queer, neurodivergent woman in a society where my ancestors were forced to hide their emotional expressions in wooden barrels in order to survive or evade retribution… through writing and painting I’m forging a path where we can dare to live in a society that punishes us for our full humanity."
     
    — A'Driane Nieves
  • a'driane nieves, Coagulation: When The Healing Factors Rush In, 2022

    a'driane nieves

    Coagulation: When The Healing Factors Rush In, 2022
    Acrylic and house paint on Belgian linen
    203.2 x 177.8 cm (80 x 70 in)
  • Open Channel: Here Comes The Breakthrough (II), 2022 (detail)
  • a'driane nieves, Open Channel: Here Comes The Breakthrough (II), 2022

    a'driane nieves

    Open Channel: Here Comes The Breakthrough (II), 2022
    Acrylic and house paint on Belgian linen
    121.9 x 91.4 cm (48 x 36 in)
  • A'Driane Nieves' Writings for the Exhibition

    Published by Marguo Books
     
     
    Discover the booklet on Marguo Books publications
  • ABOUT THE ARTIST
    Portrait of A'Driane Nieves at her studio. Photo: Neal Santos. © A'Driane Nieves. Courtesy of the artist and Galerie Marguo.

    ABOUT THE ARTIST

    A’Driane Nieves was born in San Antonio, Texas, in 1982.

     

    A visual artist and writer, A’Driane Nieves is a U.S. Air Force veteran and the founder of an arts nonprofit and art magazine. Nieves is a self-taught painter of over a decade. At the urging of her therapist, she began using painting as a form of art therapy in 2011 during her recovery from postpartum depression and following her later diagnosis of bipolar disorder. This initial experimentation led to her using abstract expressionist painting as a way to overcome the impacts of childhood abuse, specifically emotional suppression. Influenced by Joan Mitchell, Cy Twombly, Bernice Bing, and early Black abstractionist painters ranging from Alma Thomas to Mary Lovelace O’Neal, Nieves’ paintings offer space for her own and others' quiet reflection and contemplation. She credits both the writing and visual components of her practice with helping her to find her voice and creating space for her to safely release long-buried emotions.

     

    Her interdisciplinary practice focuses on the physical, epigenetic, psychological, and social-emotional impacts of trauma—inherited, historical or ancestral, personal —exposing how it shapes, alters, and redefines identity over the course of our lives. Her intuition-driven process draws heavily on memories, emotions, and experiences from both the past and present. Nieves often completes a painting in one sitting, relying on physical movement and music to channel her inner truths and rememberings.

     

    Through abstract forms and composition and expressive mark-making, she gives visible shape to the internal biological and emotional processes of adaptation, recovery, healing, and transformation. Nieves' work allows her to carve out—and take up—space where the fullness of her humanity as a Black, queer, neurodivergent woman can be expressed without retribution. It is her hope that holding space in her work to express her fullest self encourages others to do the same.

     

    In 2018, Nieves founded Tessera Arts Collective, a not-for-profit serving women and non-binary abstract artists of color. Nieves’ work has been exhibited internationally and can be found in Fondation Louis Vuitton, Paris, France; Rennie Museum, Vancouver, Canada; X Museum, Beijing, China; Dangxia Art Space, Beijing, China; Podo Museum, Jeju-do, South Korea; and the Spurs Collection, San Antonio, Texas. 

     

    Learn more →

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