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Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Open a larger version of the following image in a popup: Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026

Alexandre Yang

Le Dernier moment avant la fin du Monde, 2026
Oil on canvas
100 x 100 cm (39 ⅜ × 39 ⅜ in)
Copyright The Artist

Further images

  • (View a larger image of thumbnail 1 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 2 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 3 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 4 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 5 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 6 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 7 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
  • (View a larger image of thumbnail 8 ) Alexandre Yang, Le Dernier moment avant la fin du Monde, 2026
Inspired by a story the artist's mother told him — as a little girl she played in a cabin in the jungle while her country was at war. Yang reimagines...
继续
Inspired by a story the artist's mother told him — as a little girl she played in a cabin in the jungle while her country was at war. Yang reimagines it in present-day France: an evening spent playing Dungeons & Dragons and pretending to be soldiers. Like auto-fiction, role-play becomes a way to project oneself into a character built from scratch. It marks the starting point of the fiction that runs through the surrounding paintings.

Reference: Robert Campin (workshop), Mérode Altarpiece (central panel), c. 1427–32. The Met Cloisters,
New York. https://www.metmuseum.org/art/collection/search/470304
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