I often draw humans. We say humans, but there are many people. I portray drunken locals, clergy, or sometimes myself. Each person has something contradictory, such as sacred/vulgar, or beautiful/ugly, but they are equivalent inside a painting, as beings depicted by material paint. I am drawn to the chaotic anxiety of humans, and I paint today too feeling it is worth painting.
— Shinya Azuma
Born in Osaka in 1994 where he still lives, Shinya Azuma is a Japanese artist who works in Kyoto, Japan. He holds a master’s degree in Contemporary Art from the Kyoto University of Art and Design. Azuma makes a sketch of images inspired by the news programs or sceneries in daily life through his experience and remakes them on canvas with bold brush strokes. Azuma’s simple paintings with peculiar color usage and dynamic texture of the medium have quirkiness somehow, and vigor which stops us to see the picture.
The themes of the works range from some well-timed serious issues such as wealth inequality or protests, to personal sexual experiences, but they all capture various aspects of humanity. Like memes on social media, the distinctive type of humor which can be both satire and self-deprecating sarcasm is one of the attractions of his works. From 2021, he has started to create sculpture made of wood and ceramics, expanding his range of expression beyond two-dimensional works.
Azuma's works have attracted the attention of collectors and art professionals in Japan as early as when he was a graduate student. His recent solo exhibitions include: ‘Shame: Inevitable Man,’ COHJU contemporary art (Kyoto, JP 2022); ‘Throw a knuckleball from the jungle,’ EUKARYOTE (Tokyo, JP 2021); ‘Joint technique,’ Seibu Shibuya Art Gallery (Tokyo, JP 2020); and ‘Human. Human? Human!,’ COHJU contemporary art (Kyoto, JP 2020). Azuma’s work is held in the Takahashi Ryutaro Collection, Japan, sequence MIYASHITA PARK, Japan and Toyota Municipal Museum of Art, Japan.
Born in 1994 in Osaka, Japan
Lives and works in Kyoto, Japan
Education
2020 |
MFA, Kyoto University of Art & Design, Kyoto, Japan |
2018 |
BFA, Kyoto University Art & Design, Kyoto, Japan |
Solo Exhibitions
2024 |
Galerie Marguo, 'YOROSHIKU 夜露死苦', Paris, France |
2022 |
COHJU contemporary art, ‘Shame: Inevitable Man‘, Kyoto, Japan |
2021 |
EUKARYOTE, ‘Throw a knuckleball from the jungle’, Tokyo, Japan |
2020 |
Seibu Shibuya Art Gallery, ‘Joint technique‘, Tokyo, Japan |
COHJU contemporary art, ‘Human. Human? Human!’, Kyoto, Japan |
Group Exhibitions
2023 |
COHJU contemporary art, 'Untitled Art', Miami, FL |
Galerie Marguo 'ART021 Contemporary Art Fair', Shanghai, China |
|
COHJU contemporary art, 'Art Collaboration Kyoto', Kyoto, Japan |
|
Galerie Marguo, ‘Art Paris 2023’, Paris, France |
|
2022 |
COHJU contemporary art, ‘Art Collaboration Kyoto’, Kyoto, Japan |
COHJU contemporary art, ‘ART FAIR TOKYO’, Tokyo, Japan |
|
2021 |
COHJU contemporary art, ‘Untitled Art Miami Beach’, Miami, FL |
COHJU contemporary art, ‘Art Collaboration Kyoto’, Kyoto, Japan |
|
Biscuit Gallery, ‘Welcome to the Painting Jungle’, Tokyo, Japan |
|
COHJU contemporary art, ‘ART OSAKA’, Osaka, Japan |
|
COHJU contemporary art, ‘JET STREAM LOGIC’, Kyoto, Japan |
|
MtK Contemporary Art, ‘young okazaki vol.01’, Kyoto, Japan |
|
COHJU contemporary art, ‘ART FAIR TOKYO’, Tokyo, Japan |
|
SEIBU SHIBUYA, ‘nine colors XV’, Tokyo, Japan |
|
COHJU contemporary art, ‘ART TNZ produced by AFT with APCA’, Tokyo, Japan |
|
nichido contemporary art, ‘KANSAI VOICES’, Tokyo, Japan |
|
yuge, ‘Social insurance and the Sphinx’, Kyoto, Japan |
|
EUKARYOTE, ‘God’s left hand, Devil’s right hand’, Tokyo, Japan |
|
EUKARYOTE, ‘YAE’, Tokyo, Japan |
Collections
Takahashi Ryutaro Collection, Japan
sequence MIYASHITA PARK, Japan
Toyota Municipal Museum of Art, Japan
-
Shinya AzumaHuman(Purple), 2024Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaROUND1 Ready fight!! (KARATE), 2024Oil on canvas194 x 259 cm (76 3/8 x 102 in)
-
Shinya AzumaSnoopys, 2024Oil on canvas162 x 130.3 cm (63 3/4 x 51 1/4 in)
-
Shinya AzumaTiger killer, 2024Oil on canvas116.7 x 91 cm (46 x 35 7/8 in)
-
Shinya AzumaTrivial resistance, 2024Oil on canvas91 x 72.7 cm (35 7/8 x 28 5/8 in)
-
Shinya AzumaFlower Cutter, 2023Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in)
-
Shinya AzumaOtaku Guy, 2023Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaPhoenix and Man, 2023Oil on canvas116.7 x 91 cm (46 x 35 7/8 in)
-
Shinya AzumaPiss Mixer, 2023Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaSmokers Ectoplasm, 2023Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaWatermelon Eater, 2023Oil on canvas162 x 130 cm (63 3/4 x 51 1/8 in)
-
Shinya AzumaBlack hole watcher, 2022Oil on canvas162 x 130 x 2.5 cm (63 3/4 x 51 1/8 x 1 in)
-
Shinya AzumaCard Game (Spade A), 2022Oil on canvas162 x 130 x 2.5 cm (63 3/4 x 51 1/8 x 1 in)
-
Shinya AzumaEden, 2022Oil on canvas162 x 130.3 cm (63 3/4 x 51 1/4 in)
-
Shinya AzumaExodus (Highway), 2022Oil on canvas145.5 x 112 cm (57 1/4 x 44 1/8 in)
-
Shinya AzumaGo straight, 2022Oil on canvas162 x 130.3 cm (63 3/4 x 51 1/4 in)
-
Shinya AzumaIn the hole, 2022Oil on canvas116.7 x 91 cm (46 x 35 7/8 in)
-
Shinya AzumaPressure Human, 2022Oil on canvas91 x 72.7 x 2.5 cm (35 7/8 x 28 5/8 x 1 in)
-
Shinya AzumaHuman (Double mask), 2021Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaSexy Time, 2021Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaThree Piece Thief, 2021Oil on canvas112 x 145.5 x 5.5 cm (44 1/8 x 57 1/4 x 2 1/8 in)
-
Shinya AzumaAnother dimension, 2020Oil on canvas91 x 72.7 cm (35 7/8 x 28 5/8 in)
-
Shinya AzumaEnd of the World, 2020Oil on canvas53 x 45.5 cm (20 7/8 x 17 7/8 in)
-
Shinya AzumaFor Free, 2020Oil on canvas116.7 x 91 cm (46 x 35 7/8 in)
-
Shinya AzumaFoward cat, 2019Oil on canvas45.5 x 53 cm (17 7/8 x 20 7/8 in)